These flat, often bisected texture and contrast studies have been a constant in my images since I picked up my Minolta SRT200 in 1979. I’ve always struggled with how easily I can make these. These days I look at an image like this and simply appreciate how the image recreates the pleasure I personally have being in a receptive state looking at the world around me. Its a re-creation, a re-experiencing of a place and time now distant.
