I’ve tagged this as reading, but was actually an audiobook listen, my first in some time. I found myself looking around for podcasts and being a bit frustrated, I opened the Libby app and borrowed Stella Maris by Cormac McCarthy just because it was available and near the top of the list. I otherwise had no intention of reading the book.

It works great as an audio book, being written as a dialog between a psychiatrist and a patient. So to me it’s one of those trick books where the action takes place in a single setting, largely in the minds of the characters via speech. It’s subject is math, the nature of reality with a strong emotional charge. Mostly the math and physics seem to be pretty well represented. Some other subjects not so well, but par for the course really.

An interesting contrast with The Mountain in the Sea by Ray Nayler which I recently read, as both are vehicles to discuss our response to scientific advances, whether math, artificial intelligence or neuroscience. Nayler’s book is a more conventional plot based exposition of the problem, McCarthy takes a more rarified intelectual approach. Yet both show how well fictional tales can be used to explore our world and our reaction to it.

I don’t remember where I saw Leonard Koren’s Wabi-Sabi for Artists, Designers, Poets & Philosophers mentioned recently, but I immediately ordered a copy and read it slowly over the last few weeks.

It’s a slim book of about 100 pages with many pages having photographs rather than text. It’s said that Koren’s book of 1994 was responsible for introducing the idea of Wabi-Sabi into the aesthetic conversation in the Western world. I have no idea as I don’t remember when this idea of the veneration of the simple, imperfect and natural entered my own intellectual environment.

I’m reading books about aesthetics and creation these days. This may have been the book that tipped me over into the subject. I’m about two thirds of the way through Rick Rubin’s The Creative Act: A Way of Being, a book I’m savoring on first read and trying to digest a bit, chunk by chunk. As has been my recent practice, I take no notes on the first read, leaving notes for a review session with the book.

My photography has been casual over the last few years, but in a way it’s been a further embrace of a Wabi-Sabi approach to images. My aim has been honest capture, leaving behind some of the cinematic excess of some of my work. Now, evaluating my images of the last year, I see where I’ve pushed forward in just allowing light and exposure settings to create a relatively finished image, an approach that I’ve picked up from photographers like Phillip Penman and Greg Williams. Both work in monochrome with an approach of exposing using the dynamic range and live view that our current mirrorless cameras provide. It’s beyond pre-visulazation, it’s actual visualization at the time of capture.

For, embracing the imperfection of the casual has helped my push on with new work. Wabi-Sabi for Artists . . . has emboldened me to further embrace capturing light and nature as a simple path to creating images.

My contraints: The Leica M11 with 50mm APO Summicron ASPH lens. Capture images during breaks outside with the puppy. Images quickly processed in Capture One using the Mastin Tri-X style.

Ever since I took on Sniff and Shoot as a project, I’ve been regularly producing some pretty nice images. It got me thinking about how often we hear that constraints help produce work rather than hinder it. Maybe it is the paradox of choice where when you can do anything you end up doing nothing. Contraints remove choice and guide action.

But I think it’s something deeper than that. It’s that when faced with limitations, we have to become more intentional about our actions. There are hard limits that I have to overcome that force action to act in spite of the constraints. So I pick up the camera as I walk out the door and look around to find ways to use what I hold in my hands and the visual world in front of me. It’s not having a goal, it’s that the limitations provide traction, something to react to with my action.

Whether it’s imposing constraints simply by limiting equipment and technique or it’s setting up a project within which to work, the path forward at the moment and action is engaged.

While “mindfulness” gets a lot of attention, it is simply the passive act of being aware in the present. “Intentionality” builds on mindfulness in providing immediate purpose for action.

I think I first saw Indigenous Continent: The Epic Contest for North America by Pekka Hämäläinen reviewed by Tyler Cowen. After reading about it a few more time, I decided to read it primarily to improve my rudimentary understanding of Native American history.

During the upheaval that was the 2016 election, I wrote here about why seeking diverse sources of information was critical to providing a rich idea environment for optimal decisions. Bad information is like a pollution of the environment of mind, but with diversity and differential survival of ideas, we have the principle of natural selection working for us to provide a model of the world that best reflects reality and thus should allow us to act most appropriately in the world. So I try to read widely in subjects that I feel I don’t have a good grasp on.

Indigenous Continent is a scholarly work. Actually a refreshing change from the current trend for books to be edited into collections of anecdotes and stories that illustrate points. Here, it means that the book is often a catalog of groups, people, events with some historical context but little biographical or psychological background presented other than in passing.

But it’s a book of grand historical sweep with a point of view firmly from that of the indigenous people of the Americas and how the arrival of Europeans occured to them. And the thesis of the book, that the continent remained largely indegenous through the mid 1800’s, until after the Civil War puts my understanding of American history into a new perspective. I knew about the death by epidemic from reading Jerad Diamonds’ Guns, Germs, and Steel when it as well as other sources. I had read about the forced relocations of eastern tribes during my travels through the US.

Two points struck me while reading the book. One was how adaptable these indigenous cultures were as their situations and locations changed. There was a strength to the culture in being cooperative societies without centralization and authority based on a nomadic cuture that could continue to function as situations changed drastically.

But then I was continuously struck by how dependent on European technology the indigenous survivors were. Guns, metal utensils, farm implements and other means of survival meant trade and reliance on the Europeans. The relationship was always so unequal that the outcome seems to have been determined from the start. Survival ended up being dependent on either capitualtion or hiding. The book ends on a positive note as our Indigenous Americans have survived and are experiencing something of a renaissance in todays multicultural America.

When I heard about The Mountain in the Sea by Ray Nayler, I knew I had to read it. A book about AI and octopus intellegence grounded in neuroscience definitely hits a bunch of my interests. I’ve been fascinated by the octopus brain for a long time, both because my daughter growing up had a stuffed octopus that she loved and we saw them in the National Aquarium here in Baltimore.

Several years ago I read Other Minds: The Octopus, the Sea, and the Deep Origins of Consciousness by Peter Godfrey-Smith which made the case that the octopus, with its convergent evolution of eye and brain, was a real example of an alien non-vertebrate intelligence. I understand my puppy’s behavior by analogy. Not so the octopus. I wasn’t surprised to see Other Minds acknowledged by Nayler at the end of the book.

The describes the meeting of man, a cognitively advanced colony of octopodes and an AI self conscious android. the AI description is a nice creation, building on current neural network concepts, but does have a bit of mind transfer magic through connectome mapping. Oh well, I always surrender my predjudice at the door as the price of admission. Plenty of SciFi is build on the plausibly impossible and mind transfer seems plausible but is impossible.

Also, some nice reflections on complex systems and ecology. Nayler also cites How Forests Think: Toward an Anthropology Beyond the Human by Eduardo Kohn as an prime inspiration from the book. So that’s now on my list to read. I had thought about it after finishing Jenny Odell’s How to Do Nothing: Resisting the Attention Economy last year which is a meditation on being present that owes much to the idea of deep ecology and the emergent reality of environment.

A well written first novel that’s heavy on the philosophy and neuroscience and not deep in character building or plot. For me, a compelling read.

From The Experimental History experiment – by Adam Mastroianni:

Last March, when I had barely begun blogging, I happened to meet a big shot author who writes pop science books, and I told him about my dreams for this blog. “Maybe this could be what I do,” I told him, hopefully. “It’ll never work,” he said. “People want to read about what they are interested in, not what you are interested in. I’m successful because I write stuff that will sell. I don’t actually like the stuff I write about.”

I’ve been writing here going on 25 years now. I write what I need to since this is my journal. But I’ve long been aware that my posts on photography equipment and notetaking process get the most reads via search engines. Not lots of referals from other blogs these days, just some of my old friends here. But of course, this is just my way of thinking out loud.