In the documentary, David Hockney: A Bigger Picture, the painter David Hockney talks about how shadows were the reason why he moved to California from rural Britain.
His father was a fan of Laurel and Hardy. In those films, Hockney saw clear sharp shadows all the time, even if the setting was Christmas. He decided he wanted to live in a place like that, where the sun shone and, I think, illuminated the world.
Whenever I arrive in LA, I’m struck by the quality of light. Its as unique as the Old Masters light in The Netherlands and the Renaissance light of Italy.
I recall when I captured this I became aware of that quality of light and tried to capture it in the images, bringing it through the post-processing as well.
The refined approaches of Vincent Versace’s new book,Welcome to Oz 2.0: A Cinematic Approach to Digital Still Photography with Photoshop are contributing to my ability to communicate the quality of light. I’m working on making it my own since my goals are to emphasize the experience of light in a particular place.